I go where the hard problems are

I've been high and low. Large brands and tiny organisations, globally. LEGO, Stokke, and years of consulting across industries most people keep separate.

I build things. I'm useful at the beginning and when something needs to change, when no one quite knows if it will work.

Martin Riber Andersen
What I've built
01

LEGO Star Wars

I designed the first X-wing fighter. Physically built it in bricks. My role was in the early years: setting up how LEGO and Lucasfilm would work together creatively, and the internal procedures that would govern it. LEGO's first licensed franchise, built on someone else's story.

It went on to become one of the longest-running and most successful franchises in LEGO's history. But what we established went beyond the product line. LEGO Star Wars helped keep the Star Wars franchise itself fresh during the years without blockbuster films, attracting new generations of children to a universe that might otherwise have gone quiet. Lucasfilm got value from LEGO, not just the other way around.

It became the blueprint.

02

Bionicle

LEGO's first wholly original franchise. As Design Manager, I led the franchise approach, pulling it together across product, story, media, licensing and fan community into something that behaved like a living universe. The essence was integration: product development, marketing and sales working as one. One of the first franchises to experiment seriously with digital marketing and content.

Launch year 2001: 70 million units. $160 million revenue. 85% over budget. 14:1 sales-to-marketing ratio by 2002. In 2003, the year LEGO flirted with bankruptcy, Bionicle accounted for 25% of the company's total revenue and 100% of its profits. 190 million toys sold by end of initial run. LEGO runs on the franchise model we created.

"Bionicle is the toy that saved LEGO."
Jørgen Vig Knudstorp, CEO, the LEGO Group

03

Going wide

After Bionicle I was made Creative Director. But we had just spent three years building something from nothing and watching it exceed every expectation. That kind of experience is hard to follow. The corporate life waiting on the other side, the politics, the managing of what existed, held no appeal. I had peaked, and I knew it. So I left.

What followed was a deliberate attempt to understand the world beyond toys. Headhunting at Mercuri Urval, where as a newcomer expected to build slowly, I landed two CEO-level mandates. Agency life. Corporate marketing at Schneider Electric across EMEA. Independent consulting. I moved between roles and sectors with more curiosity than plan. Some of it worked well.

All of it made me sharper.

04

China

In 2011 I went back to LEGO, not to reprise what I had built before, but to answer a different question: how do you reach China's emerging middle class? Not from a desk. I spent months in Tier 2 and Tier 3 cities, visiting people's homes and shops, watching how families with new money thought about play, quality and aspiration. We developed test products. We got things wrong and adjusted. This was explorative work, not market research in the traditional sense.

At the end of it I presented the findings directly to Jørgen Vig Knudstorp, then CEO of LEGO, on a three-day trip through China with Susan from my local team. Three people, three days, three cities.

I learned what China is.

05

Stokke

Stokke had a problem most companies don't survive: it had never created a second profitable product after the Tripp Trapp chair from 1972. It had cycled through management teams without fixing the underlying issue. I was brought in to revitalise the innovation engine.

As SVP and Chief Innovation Officer, I had reporting responsibility across design, project management, product management, quality and compliance across Norway, Germany and China. The mandate was clear: cut what wasn't working, build what could, and create the conditions for sustainable product innovation.

We closed the Shanghai office. Made significant cuts across HQ. Built a new satellite team in Germany. Most of it executed over video during COVID lockdowns.

The strategy was sound: trim to the core, build close-to-core extensions with external partners, and complement with M&A to bring in innovation. The internal resistance was significant. When the pressure peaked, the organisation chose politics over progress. I was let go before the work could perform.

The work was sound.

06

Naia

Everything I've learned about product development, sales, people and business applied to one platform. Naia is an AI workspace for product and business development. It helps teams generate, evolve and pressure-test product and portfolio scenarios before committing resources, time and money to the wrong things.

Starting a company is humbling in ways that running one is not. The daily reality of building from scratch, with no organisation behind you, no established brand, no safety net, teaches you things that no executive role ever could.

Naia is live. We are engaging with real teams on real problems, building step by step, iterating fast. The goal is scalable product-market fit and every week we learn something that changes how we think about it.

Exactly where I want to be.

I'm not done

The drive to build something that didn't exist before hasn't left me. What's changed is what I bring to it. Thirty years of pattern recognition. The battle-tested instinct to know which problems are worth the fight and which rooms are worth being in. That's what goes into Naia now.

Martin Riber Andersen

I started at LEGO at twenty. No degree, no plan.

What came out of that period, LEGO Star Wars and Bionicle, helped pull the company out of a financial crisis it might not have survived. I know that now. At the time it just felt like work. A lot of people have claimed their share of that success since. That's fine. It was a long time ago. I was there.

What I couldn't do afterwards was stay. I had peaked, and I knew it. That became a pattern. Not a comfortable one, but an honest one. I go where something needs building. I build it. When the organisation is ready to manage rather than create, I'm already restless.

In between: years working across Europe, the US and China. Different industries, same problem: how do you build something that actually works?

Then Stokke. Then Naia. I'm not done

Where my energy goes

Right now, one thing has my full attention: Naia. Building it is where my energy goes.

Beyond that, I serve on the board of Zebicon. That's it for fixed engagements.

What I am always open to is a conversation. If you're wrestling with something at the intersection of creativity, commercial reality and technology, a strategic question, a product challenge, an organisational problem you cannot quite name, I'm happy to think about it with you.

No agenda. No pitch. Just the conversation.

Thinking
Reflection

The descaling

A couple of years back I walked 800 kilometres across northern Spain in five weeks. I didn't plan what I'd think about. I didn't document it. I just walked.

On the first day I met people who became friends. We walked together, talked a lot, found each other in bars in the evenings in small towns whose names I've already half-forgotten. That part surprised me: how quickly real connection forms when you remove the usual scaffolding of professional life. No titles, no agendas, no performance.

After enough days the rhythm takes over. Walking becomes the default state rather than the effort. And when that happens, something quieter starts. Your mind, freed from the constant production of decisions and positions and responses, begins to settle. Not empty. More honest.

I'm a tough businessman. I've been told so often enough that I believe it, at least in part. But toughness is partly armour, and armour accumulates. Years of difficult rooms, difficult decisions, difficult people. You calcify around them without noticing.

The Camino descaled me. That's the only word that fits. Not softened, not changed. Returned to something closer to the original. The warmth I know I have but don't always show. The curiosity that got me into this work in the first place. The person my family knows rather than the one my colleagues think they know. I came back the same person. Just less encrusted.

Product

What great products do

Spain will break your heart and restore it the same afternoon. I've sat in restaurants with food that made me close my eyes, served under lighting so cold and acoustics so brutal that the meal felt like an interrogation. I've found the opposite too: a tortilla at La Marucca so precisely right it needed nothing else, or a mezcalita and taco at Solito where you sense immediately that someone has thought about every detail, including which customers they're not trying to impress.

The Fundación March in Madrid is one of the most quietly extraordinary cultural spaces I've been in. The originality, the standards, the sense that whoever built it was completely indifferent to compromise. Then you walk five minutes and find a flagship brand store that ticks every box and does absolutely nothing to you.

A winery in Bierzo. Mom in the kitchen. An unlabelled bottle of wine, a table in the shade, no agenda. That's it. That's the whole experience. And it's perfect. Then Marbella, scorched concrete, expats performing wealth where everything costs more and feels like less. San Lúcar de Barrameda on an autumn afternoon, a manzanilla and a plate of salmonetes on the beach, the Atlantic light doing things light shouldn't be able to do. Constantly back and forth between extremes.

What Spain keeps teaching me is that experience design is not about polish. It's about intention. The places that stay with you share one quality: the balance between intention and execution is perfect. The cold lighting and the bad acoustics happen when nobody made that decision, or when the decision was made by a committee optimising for the wrong things. It is not a matter of how big a budget is spent or whether it ticks the latest trend. It is about being true to who and what you are, building from that core, and knowing when your skills are stretched and you need to bring in some experts and friends to help.

Strategy

Knowing when to put it down

I didn't go to business school until I was in my forties. By then I'd already built LEGO Star Wars, created a franchise that peaked at 2 billion DKK in annual turnover, hired and fired and worked across three continents. The MBA didn't change what I knew. It changed how I understood the people around me.

Every organisation I've worked in runs some version of the HR wheel. Twelve months, 20 checkpoints, three overlapping evaluations, calibration sessions, three annual reviews doing the same but different. Workshops that take the best people out of the work for days at a time. Everybody hates it. It took me a long time to understand why it exists. It's not because it works. It's because it can be measured, reported, and presented to a senior management team as evidence that leadership, management and people development is happening. The framework isn't serving the organisation. The organisation is serving the framework.

I saw the same thing when I asked a creative team to set quantifiable KPIs for early-stage explorative work. I didn't ask because I thought it was right. I asked because the system required it. The team looked at me the way I deserved to be looked at. And I've watched organisations hand down a headcount reduction number, cut the tail, fifteen percent, without anyone stopping to ask which fifteen percent. The model produces the number. Someone else executes it. Judgment never enters the room.

The MBA helped me see what these situations have in common. They're not failures of intelligence. They're failures of context. The frameworks themselves are often sound. A structured performance review is valuable. But every framework has edges, the conditions under which it stops working, and most people who learned them in school were never taught where those edges are. The education rewards applying the framework correctly. It doesn't reward knowing when to put it down.

For me, coming to it late was an advantage. I picked up frameworks as tools, not as doctrine. I could see what they were for without being captured by them. The toolbox is genuinely valuable. Knowing when to open it, when to adapt what's inside, and when to close it again, that's the judgment that can't be taught in a classroom. It can only be learned by getting it wrong enough times.

People

I am a great leader and a terrible one

We are all the same at the end of it. Getting up in the morning, doing the work, building something we can be proud of, taking care of the people we love. Whether you're a Danish designer, a Chinese factory manager or an American VP of sales, the underlying thing is the same. Scratch the surface, the culture, the varnish, the professional armour, and you find the same person. Someone who wants to do good work and be recognised for it. I've led teams globally across cultures and that's the most important thing I learned. Start there and most of the rest follows.

I've had direct reports who said working with me changed how they think about their work. I've had managers who, I suspect, dreaded Monday mornings. Both are true and I've made peace with that.

What makes me good: I connect human to human. I see people clearly and I care genuinely. When it works, it really works, the kind of feedback that stays with you.

My weakness as a manager is pace. I move fast, I decide fast, and I lose patience with people who need more time to arrive at the same place. That's a leadership failure, not theirs.

I've made decisions that ended careers. Restructurings, redundancies, performance exits. I don't pretend those were easy or that everyone landed well. In a professional context we are not family, whatever the posters on the wall say. Both sides of the table have obligations. I tried to meet mine. I didn't always succeed.

I can be elitist. Not by intention, but it comes through. And I'm physically large, direct, and not easily read, which some people experience as intimidating before I've opened my mouth. The Iron Giant was built to be formidable. He just wanted to be something else.

If you've managed me: I'm sorry, and thank you. It couldn't have been easy.

On the Camino de Santiago

By the way

My only regrets are that I never tried for Jægerkorpset or went off on an artistic tangent. Instead I stayed a geek and embraced it fully.

I cook seriously. I play golf badly and don't mind. I do yoga and walk a lot. In the evenings I build things. Vibe coding has become a quiet obsession, some of it for Naia, some of it just because. I read a lot, watch films, and when I want to be completely alone with a world, I game. All of it tends to pull me into obscure niche areas most people walk straight past.

My wife is good at taking me to places I wouldn't find myself: exhibitions, bars, pueblos and corners of Madrid I'd walk straight past.

My boys are becoming the people they're meant to be. Great girlfriends, their own lives taking shape. Watching that happen is something else entirely. My Danish and Spanish families are warm, close and always there. That's not nothing. That's everything.

Get in touch

If something I've written or built is relevant to you, I'm easy to reach.

martin.riber.andersen@gmail.com LinkedIn

I'm not currently looking for new engagements, but I'm always open to a good conversation.